Rejects of the West
Update: Many of you were touched by “Mariatu & Me” in our September issue. Here’s an update: Mariatu has been accepted into the Assaulted Women’s and Children’s Counsellor/Advocate Program at a Toronto-based college. She is also in the process of launching The Mariatu Foundation, which will help abused women and children reintegrate. For more information, visit mariatufoundation.com.
Kadi (Kadijatu) Nabe and I are lying beside each other, width wise on a double bed, our legs scrunched up against the wall. We’re in Masiaka, about an hour outside of Freetown, Sierra Leone, in one of the town’s guest houses (similar to a B & B). Sorious Samura, the filmmaker with whom we’ve been working, has just sprayed the rooms with a heavy-duty insect repellent — likely, I muse, one that is banned in Canada for being toxic to humans. Sierra Leone, after all, sees many of the West’s rejects, from T-shirts to a 2008 Mercedes-Benz, ending up in its markets. But that’s another story.
Mariatu Kamara, the reason Kadi and I are in Sierra Leone in the first place, is spending her first night away from us. “She’ll have a good sleep and look wonderful in the morning,” Kadi says of Mariatu’s decision to stay with her family in their village for the first time since she moved to Canada in 2002. Until recently, Mariatu has lived with Kadi, also a Sierra Leoneon, in Pickering, Ont.
“Of course she will,” I reply, recalling that Mariatu checked into her cousin’s small, two-bedroom clay-and-cement house with a tin roof with two large suitcases.
The bug repellent’s label warned to spray for no longer than three seconds. But Sorious let it rip for about five minutes. The building is nothing more than a cement block, the ceilings maybe seven feet high. Kadi and I are now choking on the fumes.
Trouble brewing
We can hear Sorious in the hallway having an argument with some men from the village where Mariatu is probably now sound asleep. They, and our driver, have just returned from the police station. The officers refused to guard our vehicle for the night unless they were paid money. “More money! They want more money?” Sorious cries out in Krio, which I am starting to understand.
“A bribe,” Kadi coughs out the words. “The villagers said this was a bad place, lots of stealing,” she adds.
“You know,” I turn to Kadi and say in a more serious tone, “I had an editor who once berated me for getting too close to my sources.”
I go on to tell her that this editor felt it was not appropriate for me to carry on conversations and have coffee with people after their stories had been published. My sources are not usually politicians, celebrities or professional hockey players — for some reason in the journalism world, it’s okay for reporters to have personal relationships with these people — but rather female drug smugglers, animal rights activists, prostitutes and child victims of war. The latter includes Mariatu, whom I first met in 2003 while doing a story for Maclean’s on the impact of war on children.
“Ahh,” Kadi exclaims, as we watch a big black spider that somehow escaped Sorious’s poison scurry along the wall. “You should have listened to that editor.”
